这里二柏/果子

谨以此致我十年的爱——一篇关于南派三叔和南派小说的本科毕业论文。

《论南派小说的美学意蕴与历史渊源》

指导老师：沈杏培

论文作者：柏红果

《论南派小说的美学意蕴与历史渊源》

摘要

阐释“南派小说”之概念、兴起与发展，探索其与近代南方通俗小说、自由主义作家小说及神话传说之间的历史继承关系；以徐磊及其《盗墓笔记》系列具体文本为例，结合其他“南派小说堂会”相关作品，于结构、语言及典型等方面论述其“想象力极限”、“全新自由写作模式”的创作风格与特点，探讨其审美与审丑价值；并借南派小说之大众性、通俗性及其经济、社会效应反映与见证新美学交融审美特殊性与历史情境的特质，由“《盗墓笔记》现象”探究新美学的崛起。

关键词：南派小说，历史渊源，美学意蕴，新美学，盗墓笔记

Abstract

The thesis will elucidate the concept，rise and development of NanPai Novels. The inheritance relationship between NanPai Novels and modern southern popular novels as well as liberalism writers' novels will be explored. It will take Xu Lei and his novel， Time Raiders， as an example， bine with some other works of NanPai Novels’ Association， to summarize the styles along with characteristics. The article will discuss these characteristics， the ultimate limit of imagination and new free writing model， from their structures， linguistic organization and typical character， and then expound their aesthetic values. Besides， this article will reflect the distinguishing characteristic， bining aesthetic particularity with historical circumstance， of new aesthetics though talking about NanPai Novels’ popularity， economic effect and social influence. At the same time， the rise of new aesthetics would be reflected by the Time Raiders phenomenon.